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・ Hollywood and the Stars
・ Hollywood and the United Kingdom
・ Hollywood and Vine
・ Hollywood and Vine (disambiguation)
・ Hollywood and Vine (film)
・ Hollywood Animal
・ Hollywood Animal Crusaders
・ Hollywood Anti-Nazi League
・ Hollywood Apartments
・ Hollywood Arms
・ Hollywood Arms, Chelsea
・ Hollywood Athletic Club
・ Hollywood Babble-On
・ Hollywood Babylon
・ Hollywood Be Thy Name
Holly Trostle Brigham
・ Holly Twyford
・ Holly Valance
・ Holly Valance discography
・ Holly Van Voast
・ Holly Walker
・ Holly Walker (comedian)
・ Holly Walker-Lynch
・ Holly Walsh
・ Holly Warlick
・ Holly Weber
・ Holly Weston
・ Holly White
・ Holly Williams
・ Holly Willis


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Holly Trostle Brigham : ウィキペディア英語版
Holly Trostle Brigham

Holly Trostle Brigham (born 1965) an American figurative painter whose feminist self-portraiture focuses on female subjects drawn from mythology and history. Brigham is a member of Corpus VI, a collective of figurative women artists.〔Miller, Nancy Bea. Holly Trostle Brigham: Dis/Guise. Fine Art Connoisseur November/December 2013. Retrieved 17 September 2014.〕
== Background and education ==
Born and raised in Carlisle, Pennsylvania, Brigham studied art history and Italian at Smith College, and continued graduate work in art history at the University of Pittsburgh. Brigham then worked as an exhibition coordinator at the Philadelphia Museum of Art, and began studying painting at the Pennsylvania Academy of the Fine Arts in 1990. Enrolling in the Certificate program, she studied with artists Lou Sloan, Liz Osborne, and Dan Miller, and went on to earn her M.F.A. in painting from George Washington University.〔Amoroso, Nicole (Spring 2011). Cradle and Crucible: The Enduring Legacy of the Pennsylvania Academy of the Fine Arts. Retrieved 17 September 2014.〕 At GWU, she worked closely with the artists Arthur Hall Smith and Doug Teller, and with visiting artists such as Helen Frankenthaler, Larry Rivers, and Audrey Flack, who has said that “Holly Trostle Brigham is one of the most interesting young painters working today. She is pushing the depiction of the female figure into interesting new territory”.〔Cozzolino, Robert (2011). The Mirror and the Mask: Holly Trostle Brigham’s Self-Portraits. Retrieved 17 September 2014.〕

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